Bring on the Empty Horses
By: David Niven
©1975 G.P. Putnam’s Sons, New York
David Niven’s 336 page collection of written sketches is a veritable goldmine of Hollywood tidbits: A classic film fan’s dream text. It’s one of those books which takes over your life and forces you to read it cover to cover asap. Every task falls by the wayside in its path…David Niven’s tales come first.
The writing itself is the best out of any star book I’ve ever read. The gorgeous language flows off the page while jokes are effortlessly and hilariously woven throughout. If you’re in need of a sophisticated, fun read to curl up with, look no further my friends – it’s here.
Among the scores of fascinating stories related in this book are vivid descriptions of Hollywood’s most famous (but, now, sadly extinct) restaurants and cafés. This book was a huge source of inspiration for me when I was working on my Trip to Hollywood project. I started looking up to see if I could find photos of these amazing places, and along the way I found the logos, which for a graphic designer, is even more thrilling than the photos. I could in no way do justice to Mr. Niven’s writings in a summary, so here are some of the restaurant description excerpts:
Shortly after this interlude Flynn took me to lunch with Barrymore at the Brown Derby in Beverly Hills. This restaurant was designed so that everyone could see everyone else; the tables were set at a series of semicircular brown leather banquettes, the backs of which fitted uncomfortably into one’s lumbar region. The waitresses, all would-be actresses, wore very short bell-shaped and highly starched skirts and spent much time dropping and provocatively retrieving forks and spoons before the tables of producers and directors. Barrymore caused quite a stir when he entered, and he boomingly table-hopped his way to our corner.
Chapter 6 – Errol, page 111
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“Lucey’s,” he said to his chauffeur.
When he entered the small grottolike restaurant opposite Paramount Studios, it took a few seconds for his eyes to become accustomed to the gloom.
The dim lighting was not accidental. Lucey’s was the favorite rendezvous of the starlets and young actors from the nearby studios, the Italian food was inexpensive, the steaks were good, and the kidneys grilled in their own natural cradle of fat were delicious…
…The restaurant was filling up, and the discreet little alcoves around the main floor became nests of opportunity; at the exposed tables in the center, out-of-towners sat, taking their time over long drinks and trying to spot celebrities in the smoke-filled gloom.
Chapter 3 – Our Little Girl (Part 1), pages 63-64
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Restaurateur Mike prospered during World War II, and by 1945 he was firmly established at the owner-manager of the highly lucrative Romanoff’s in Beverly Hills. The imperial R was emblazoned on the front door. When he branched out into an even larger and more elaborate establishment, his loyal staff and clients and the imperial R made the move with him.
Chapter 8 – “The Emperor,” page 142
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Other attractions in Bring on the Empty Horses include the continuing adventures of Hedda and Louella (Chapter 4). David Niven reveals how much power these two lunatics actually had, and what they were willing to do to maintain it. I was amazed when I found out how many stars lived in fear of Hedda Hopper and Louella Parsons. I have never been able to understand how either of them managed to become such famous, important figures, but according to our friend DN, they were both utterly ruthless, willing to throw anyone and everyone under the bus for their own personal gain. They were the heads of spy rings even 007 would have envied, and were in possession of every scrap of gossip as soon as it happened. Thank heaven they are safely gone, because a world with them in it sounds like a nightmare.
And last, but most certainly not least, we have Missie. DN devotes two whole chapters to the strange life of Missie, a famous Hollywood star who remains nameless because of the shocking nature of the stories DN shares about her. She is described as follows:
Her face, which was snub-nosed and pretty, was saved from being unremarkable by a pair of huge gray eyes. It was topped by a cloud of golden hair and had the great good fortune to be strategically placed above the most beautiful body in Hollywood.
She has cat-like eyes and was given her first screen appearance in a solo number in a Busby Berkeley musical. She has recently given birth to her daughter, Sharon when we first meet her.
I was racking my brains for a candidate and finally ended up guessing Lana Turner (even though her looks were far from “unremarkable”). But, then I did some research and found that the general consensus seems to be that Missie is Vivien Leigh. All the red herrings were DN’s effort to confuse everyone as to her true identity.
This is but a tiny sampling of the wealth of classic film goodness awaiting you in Bring on the Empty Horses. You have no excuse for not obtaining your own copy, either, because Amazon has an extensive listing of used copies ranging in price from $.90 to $92. A price to fit everyone’s pocketbook. I obtained my lovely hardcover copy for a mere $5 in an antique shop. So, what are you waiting for? Get reading!
It’s your lucky day, friends! Over at Spiffy (the blog I co-edit with fellow classic film bloggers Kate, Millie, Nicole, Sarah, Elizabeth & Raquelle) we are having a giveaway for a $25 Forever 21 Gift Certificate! It’s totally free to enter and we don’t even want to know your date of birth or the name of your first born child. Make sure you drop by before February 3, 2010 and submit your entries!
You can find these instructions in my 
^Once of the first good glimpses of Peter McEnery…isn’t he a dish?
^Hayley was SO lucky!
^The famous pink outfit! Kate, Millie & I find it hugely inspiring. I’m already working on a reproduction version of the top in my head.
^Better view of the shirt. See the amazingness? A button front and crazy tie belt. OH, and see who the other lady is? Irene Papas! I only knew her from Zorba the Greek, so I was glad she actually had lines in this film.
^And an amazing swingy back. I bet you are wondering where the belt is! And notice the red canvas shoes…red and pink…hmm. Normally I wouldn’t attempt such a combination, but Hayley really pulls it off.
^Pete is shot in the shoulder of the arm she’s pulling. He’s in huge pain and she pulls his bad arm?! Hayley! What were you thinking?!
^Eli is either really afraid or he’s been running around in the hot Greek sun too much…
^Lovely crazy cats! There are tons of them!
^Well, you’d run too if cats were hissing at you!
^Wow, Hayley Mills with a rifle! She must really love the guy…
^Wolf in sheep’s clothing, maybe?
^This has got to be one of the craziest scenes of all time: Joan Greenwood riding in a hearse with Hayley and Peter in the back, trying to get through a street celebration and being attacked by bizarre revelers!
^EhHEM! Just when did Hayley learn to drive a speedboat?
^Cats are everywhere in this film! Look at this unbelievable cat bed! Lap of luxury for kitty!
^I was so sad when it ended. Did anyone else think it ended rather abruptly?
